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P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++NTTTTP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++NTTTTP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++++++++++NTTTTTTTTP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++NTTTTP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++NTTTTP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P]-P[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-PNP[++NTP]-P[++++NTTP[++NTP]-P]-P[++NTP]-P[++++++++NTTTTP[++NTP]-

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#currentlywatching Ghost in the Shell(2017)

Seems solid.

More interesting than the film itself, which despite apparent critical reviews, I felt did a good job of capturing the philosophical/reptilian essence of the original, were the production details of the film. The Shanghai Film Group partly invested in this live action American remake of the Japanese manga, which cast the French actress Juliette Binoche as the Major’s creator. The cosmic joke seems to be China as inheriting the future, and that I plagarised Kenji Siratori in order to learn how to plagarise Deleuze🤪